THIRD OBJECT

Poem

The Microscopes

Jericho Brown

Work (plain text):

The Microscopes
Jericho Brown
Poem

Heavy and expensive, hard and black
With bits of chrome, they looked
Like baby cannons, the real children of war, and I
Hated them for that, for what our teacher said
They could do, and then I hated them
For what they did when we gave up
Stealing looks at one another’s bodies
To press a left or right eye into the barrel and see
Our actual selves taken down to a cell
Then blown back up again, every atomic thing
About a piece of my coiled hair on one slide
Just as unimportant as anyone else’s
Growing in that science
Class where I learned what little difference
God saw if God saw me. It was the start of one fear,
A puny one not much worth mentioning,
Narrow as the pencil tucked behind my ear, lost
When I reached for it
To stab someone I secretly loved: a bigger boy
Who’d advance
Through those tight, locker-lined corridors shoving
Without saying
Excuse me, more an insult than a battle. No large loss.
Not at all. Nothing necessary to study
Or recall. No fighting in the hall
On the way to an American history exam
I almost passed. Redcoats.
Red blood cells. Red-bricked
Education I rode the bus to get. I can’t remember
The exact date or
Grade, but I know when I began ignoring slight alarms
That move others to charge or retreat. I’m a kind
of camouflage. I never let on when scared
of conflicts so old they seem to amount
To nothing really-dust particles left behind
Like the viral geography of an occupied territory,
A region I imagine you imagine when you see
A white woman walking with a speck like me.

Work:

Copyright / permissions:

Copyright © 2019 by Jericho Brown. All rights reserved. Reproduced by Poetry Daily with permission.

Biography:

Jericho Brown worked as speechwriter for the Mayor of New Orleans before receiving his Ph.D. in Creative Writing and Literature from the University of Houston. He holds an M.F.A. from the University of New Orleans and a B.A. from Dillard University. The recipient of a Cave Canem Fellowship, two scholarships to the Bread Loaf Writer’s Conference, and two travel fellowships to the Krakow Poetry Seminar in Poland, Brown has served as an Assistant Editor at Callaloo. He is author of The Tradition (Copper Canyon 2019), for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please (New Issues 2008), won the American Book Award. His second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington ReviewBuzzfeedFencejubilatThe New RepublicThe New York TimesThe New YorkerThe Paris ReviewTIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.

Suggested workshops:

Explore workshops we suggest this third object pairs well with.

Witness

Bearing witness to and unpacking healthcare experiences and lived experiences. Deepening the process of listening, presence, responding, and assimilating.
Explore now about Witness

Attention

Core narrative medicine principle. We recommend beginning with this workshop. Generous listening and noticing. Recognizing the breadth of health narratives.
Explore now about Attention

(Re)Presentation

Core narrative medicine principle. Recognizing, then re-presenting others’ stories appropriately. Bringing awareness to position and bias.
Explore now about (Re)Presentation

Downloads: